Required Texts
Allen, William Francis, Charles Pickard Ware, and Lucy McKim Garrison. Slave Songs of the United States. Gretna, LA: Pelican Publishing, 1998. ISBN: 9781565545939. (See a digital version of this text by UNC Chapel Hill.)
Child, Francis James. English and Scottish Popular Ballads. Vol. 1. Mineola, NY: Dover Publications, 2003. ISBN: 9780486431505.
Epstein, Dena. Sinful Tunes and Spirituals. Chicago, IL: University of Illinois Press, 2003. ISBN: 9780252071508.
Lomax, John, and Alan. Our Singing Country. Mineola, NY: Dover Publications, 2000. ISBN: 9780486410890.
Ritchie, Jean. Singing Family of the Cumberlands. Lexington, KY: University Press of Kentucky, 1988. ISBN: 9780813116792.
Whisnant, David. All That is Native and Fine. Chapel Hill, NC: University of North Carolina Press, 1984. ISBN: 9780807815618.
Descriptions of Recorded Listening Assignments
Fiddling Sampler (PDF)
Rounder Clips (PDF)
| SES # | READINGS | READING QUESTIONS | KEY DATES |
|---|---|---|---|
| Unit One: Anglo-Scottish Ballads and Sources of the Traditions | |||
| 1 |
Thoms, William. "Folklore." In The Atheneum. (August 22, 1846). Reprinted in Journal of Folklore Research 33, no. 3 (1996). Muir, Willa. "Children's Singing Games," and "Singing and Listening to Oral Poetry." In Living with Ballads. New York, NY: Oxford University Press, 1965, pp. 13-53. | (PDF) | |
| 2 |
Gerould, Gordon Hall. "The Nature of Ballads." In The Ballad of Tradition. New York, NY: Oxford University Press, 1957, pp. 1-14. Muir, Willa. "Ballad Background II," "The Northern Scottish Background," and "Story Material." In Living with Ballads. New York, NY: Oxford University Press, 1965, pp. 71-107. | (PDF) | Ballad performances by Craig-Morgan-Robson |
| 3 |
Gerould, Gordon Hall. "Ballad Characteristics," and "Ballad as a Record of the Past." In The Ballad of Tradition. New York, NY: Oxford University Press, 1957, pp. 84-162. Pound, Louise. "Audience and Authorship as Mirrored in the Ballads." In Poetic Origins and the Ballad. New York, NY: Macmillan Company, 1921, pp. 95-106. | (PDF) | |
| 4 |
Abrahams, Roger. "The Nature of Folk Tunes." In Anglo-American Folksong Style. Englewood Cliffs, NJ: Prentice-Hall, 1968, pp. 151-164. | (PDF) | |
| 5 |
Barlow, Jeremy. Playford: Dancing Master. London, UK: Faber Music, 1985, preface. Addison, Joseph. "The Spectator." Journal of Folklore Research, no. 70, 74, and 85: 181-191.
MacDowell, Paula. The Women of Grub Street: Press, Politics and Gender in the London Literary Marketplace 1678-1730. Oxford, UK: Clarendon Press, 1998, pp. 58-62 and 81-91. | ||
| 6 |
———. "'The Genuine Ballads of the People': F. J. Child and the Ballad Cause." Journal of Folklore Research 31 (1994): 1-27. Child, Francis James. "Ballad Books," and "Appendix." The Nation (1858): 30-34.
| Look over Volume I of Child's English and Scottish Popular Ballads. Choose a ballad to work on and bring it to class. | |
| 7 |
Pound, Louise. "Ballads and Literature." In Poetic Origins and the Ballad. New York, NY: Macmillan Company, 1921, pp. 106-137.
| (PDF) | |
| Unit Two: The Fiddle and the Dance | |||
| 8 |
| (PDF) | |
| 9 |
Ruckert, George. "The Cape Breton Fiddling Tradition." 2005. | Ballad paper due | |
| 10 |
Jenoure, Theresa. "The African-American Fiddler." Views on Black American Music 2 (1984-85): 55-61. Amherst, MA: University of Massachusetts Press.
| ||
| Unit Three: Toward the Great Confluence | |||
| 11 |
Epstein, Dena. Sinful Tunes and Spirituals. Chicago, IL: University of Illinois Press, 2003, pp. 30-99, 112-124, and 161-190. ISBN: 9780252071508. (Excerpts.) | (PDF) | Performance by Dave Webber and Anni Fentiman, ballad singers |
| 12 |
Wilder, Laura Ingalls. "The Madcap Days." In Little Town on the Prairie. 1941, pp. 252-262. | (PDF) | Film Viewing: Serrano, Angel, and Alvaro Toepke. The Language You Cry In. 1998. |
| 13 |
Look over: | (PDF) | Ballad paper revision due |
| 14 |
Epstein, Dena. "Emergence of Black Folk Music - Slave Songs." In Sinful Tunes and Spirituals. Chicago, IL: University of Illinois Press, 2003, pp. 241-342. ISBN: 9780252071508. | Fiddle presentation by Alan Jabbour | |
| 15 |
Williams, Sherley Anne. "Meditations on History." Radano, Ronald. "Denoting Difference: The Writing of Slave Spirituals." Critical Inquiry 22 (1996): 506-44. | Performance by Brian Peters, ballad singer | |
| Unit Four: Music in Appalachia | |||
| 16 |
Ritchie, Jean. Singing Family of the Cumberlands. Lexington, KY: University Press of Kentucky, 1988, pp. 3-94. ISBN: 9780813116792. | (PDF) | |
| 17 |
Ritchie, Jean. Singing Family of the Cumberlands. Lexington, KY: University Press of Kentucky, 1988, pp. 95-256. ISBN: 9780813116792. | (PDF) | |
| 18 |
Whisnant, David. "Hit Sounds Reasonable." In All that is Native and Fine. Chapel Hill, NC: University of North Carolina Press, 1984, pp. 3-102. ISBN: 9780807815618. | (PDF) | |
| 19 |
Whisnant, David. "All that is Native and Fine." In All that is Native and Fine. Chapel Hill, NC: University of North Carolina Press, 1984, pp. 103-180. ISBN: 9780807815618. Also skim "The White Top Festival." pp. 183-252. |
Fiddle paper due Performance and talk by Jeff Warner: Collecting in North Carolina | |
| 20 |
No class meeting today Recommended film viewing: Greenwald, Maggie. Songcatcher. 2000. | ||
| 21 |
Cohen, Anne and Norm. "Folk and Hillbilly Music: Further Thoughts on Their Relation." JEMF Quarterly 13 (1977): 50-57.
Eacker, Susan A., and Geoff. "A Banjo on Her Knee - Part I: Appalachian Women and America's First Instrument." Old-time Herald 8, no. 2. | ||
| Unit Five: The Lomax Legacy | |||
| 22 |
| (PDF) | |
| 23 |
| (PDF) | |
| 24 |
Walker, Alice. "Nineteen Fifty-five." | ||
| 25-26 | Presentation of class music projects | ||
